She's Already Gone (Ruben de Ronde the Sound of Holland remix)
- BPM
- 132
- Open Key
- 6m
- Energy
- 64/100
- Pop
- 9/100
- Length
- 6:29
- Released
- 2013
- Genre
- Progressive Trance
- Loudness
- -7.9 dB
- ISRC
- NLUQ61400086
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A peak-time tempo progressive trance cut, She's Already Gone (Ruben de Ronde the Sound of Holland remix) sits in A♭ minor (1A) at 132 BPM. Tonally it lands dark and driving. A 2013 production that still circulates in sets. Calmer than 89% of Ruben de Ronde's catalogue. In a set it works best as a mid-set roller.
- Reach:
- better known than 82% of Ruben de Ronde's catalogue
- Tempo:
- faster than 79% of Ruben de Ronde's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is She's Already Gone (Ruben de Ronde the Sound of Holland remix) in?
She's Already Gone (Ruben de Ronde the Sound of Holland remix) by Ruben de Ronde is in A♭ minor, or 1A on the Camelot wheel.
What BPM is She's Already Gone (Ruben de Ronde the Sound of Holland remix)?
She's Already Gone (Ruben de Ronde the Sound of Holland remix) runs at 132 BPM, a peak-time tempo track.
What mixes well with She's Already Gone (Ruben de Ronde the Sound of Holland remix)?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is She's Already Gone (Ruben de Ronde the Sound of Holland remix) good for peak time?
With energy 64 out of 100 at 132 BPM, it works best as a mid-set roller.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 132 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More progressive trance
More from Ruben de Ronde
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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