Spring
30s preview
- Key
- 6A · G minor
- BPM
- 132
- Open Key
- 11m
- Energy
- 62/100
- Pop
- 0/100
- Length
- 6:53
- Released
- 2012
- Genre
- Progressive Trance
- Loudness
- -7.6 dB
- Dynamics
- 12.0 dB
- ISRC
- GBKQU1299478
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Spring: peak-time tempo progressive trance, G minor (6A), 132 BPM. Tonally it lands punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2012 production that still circulates in sets. More underground than 99% of Sunny Lax's catalogue. For programming, treat it as a mid-set roller.
- Brightness:
- brighter than 91% of Sunny Lax's catalogue
- Groove:
- groovier than 84% of Sunny Lax's catalogue
- Energy:
- calmer than 82% of Sunny Lax's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Spring in?
Spring by Sunny Lax is in G minor, or 6A on the Camelot wheel.
What BPM is Spring?
Spring runs at 132 BPM, a peak-time tempo track.
What mixes well with Spring?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Spring good for peak time?
With energy 62 out of 100 at 132 BPM, it works best as a mid-set roller.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
![Tranquility [Mix Cut] - Markus Schulz Coldharbour Remix by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02cb62953ce7abfd185574eb74){kind=small}
How to mix it
In 6A at 132 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More progressive trance
More from Sunny Lax
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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