Happy Where We Are - ilan Bluestone Extended Remix
- Key
- 7A · D minor
- BPM
- 132
- Open Key
- 12m
- Energy
- 61/100
- Pop
- 0/100
- Length
- 6:11
- Released
- 2020
- Album
- Happy Where We Are (ilan Bluestone Remix)
- Genre
- Progressive Trance
- Loudness
- -8.2 dB
- ISRC
- GBLV62022772
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Happy Where We Are - ilan Bluestone Remixremix7A · 132
At 132 BPM in D minor (7A), Happy Where We Are - ilan Bluestone Extended Remix is a peak-time tempo progressive trance production. The feel is dark and driving. It is vocal-led. More underground than 99% of Ilan Bluestone's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 90% of Ilan Bluestone's catalogue
- Tempo:
- faster than 87% of Ilan Bluestone's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Happy Where We Are - ilan Bluestone Extended Remix in?
Happy Where We Are - ilan Bluestone Extended Remix by Ilan Bluestone is in D minor, or 7A on the Camelot wheel.
What BPM is Happy Where We Are - ilan Bluestone Extended Remix?
Happy Where We Are - ilan Bluestone Extended Remix runs at 132 BPM, a peak-time tempo track.
What mixes well with Happy Where We Are - ilan Bluestone Extended Remix?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is Happy Where We Are - ilan Bluestone Extended Remix good for peak time?
With energy 61 out of 100 at 132 BPM, it works best as a mid-set roller.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
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How to mix it
In 7A at 132 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More progressive trance
More from Ilan Bluestone
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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