1995 - Amy Wiles Extended Mix
30s preview
- Key
- 8B · C major
- BPM
- 132
- Open Key
- 1d
- Energy
- 66/100
- Pop
- 5/100
- Length
- 5:11
- Released
- 2022
- Album
- 1995 (Amy Wiles Remix)
- Genre
- Trance
- Loudness
- -8.4 dB
- Dynamics
- 9.4 dB
- ISRC
- GBEWA2200855
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- 1995 - Amy Wiles Remixremix7A · 132
At 132 BPM in C major (8B), 1995 - Amy Wiles Extended Mix is a peak-time tempo trance production. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Calmer than 95% of Amy Wiles's catalogue.
- Groove:
- groovier than 91% of Amy Wiles's catalogue
- Reach:
- more underground than 91% of Amy Wiles's catalogue
- Low end:
- more bass-heavy than 77% of Amy Wiles's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is 1995 - Amy Wiles Extended Mix in?
1995 - Amy Wiles Extended Mix by Amy Wiles is in C major, or 8B on the Camelot wheel.
What BPM is 1995 - Amy Wiles Extended Mix?
1995 - Amy Wiles Extended Mix runs at 132 BPM, a peak-time tempo track.
What mixes well with 1995 - Amy Wiles Extended Mix?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is 1995 - Amy Wiles Extended Mix good for peak time?
With energy 66 out of 100 at 132 BPM, it works best as a mid-set roller.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
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How to mix it
In 8B at 132 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More trance
More from Amy Wiles
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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