Big Wheel - Solarstone presents Smashing Atoms Dub Mix
30s preview
- BPM
- 132
- Open Key
- 4d
- Energy
- 65/100
- Pop
- 0/100
- Length
- 8:00
- Released
- 2011
- Album
- Big Wheel
- Genre
- Trance
- Loudness
- -10.1 dB
- Dynamics
- 13.1 dB
- ISRC
- GBHCD1104048
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Big Wheel - Electronic Architecture 2 Dubversion1A · 128
- Big Wheel - Electronic Architecture Mixoriginal12A · 128
- Big Wheel - Solarstone presents Smashing Atoms Mixoriginal3B · 132
- Big Wheel - Ambient Dubversion12A · 180
Against the original (12A at 128 BPM), this version runs 4 BPM faster and moves the key from 12A to 11B.
Big Wheel - Solarstone presents Smashing Atoms Dub Mix: peak-time tempo trance, A major (11B), 132 BPM. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 2011 production that still circulates in sets. More underground than 99% of Solarstone's catalogue.
- Energy:
- calmer than 90% of Solarstone's catalogue
- Low end:
- more bass-heavy than 89% of Solarstone's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Big Wheel - Solarstone presents Smashing Atoms Dub Mix in?
Big Wheel - Solarstone presents Smashing Atoms Dub Mix by Solarstone is in A major, or 11B on the Camelot wheel.
What BPM is Big Wheel - Solarstone presents Smashing Atoms Dub Mix?
Big Wheel - Solarstone presents Smashing Atoms Dub Mix runs at 132 BPM, a peak-time tempo track.
What mixes well with Big Wheel - Solarstone presents Smashing Atoms Dub Mix?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Big Wheel - Solarstone presents Smashing Atoms Dub Mix good for peak time?
With energy 65 out of 100 at 132 BPM, it works best as a mid-set roller.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
![Another Time [Mix Cut] by Kyau & Albert cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/412b33566c0006aa6846.webp){kind=small}
How to mix it
In 11B at 132 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More trance
More from Solarstone
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![Tranquility [Mix Cut] - Markus Schulz Coldharbour Remix by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02cb62953ce7abfd185574eb74){kind=small}
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