Big Wheel - Electronic Architecture 2 Dub
- BPM
- 128
- Open Key
- 6m
- Energy
- 73/100
- Pop
- 0/100
- Length
- 8:48
- Released
- 2011
- Album
- Big Wheel
- Genre
- Trance
- Loudness
- -9.7 dB
- ISRC
- GBHCD1104046
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Big Wheel - Electronic Architecture Mixoriginal12A · 128
- Big Wheel - Solarstone presents Smashing Atoms Dub Mixversion11B · 132
- Big Wheel - Solarstone presents Smashing Atoms Mixoriginal3B · 132
- Big Wheel - Ambient Dubversion12A · 180
Against the original (12A at 128 BPM), this version holds the same tempo and moves the key from 12A to 1A.
At 128 BPM in A♭ minor (1A), Big Wheel - Electronic Architecture 2 Dub is a peak-time tempo trance production. The mix is almost entirely instrumental. A 2011 production that still circulates in sets. More underground than 99% of Solarstone's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- slower than 85% of Solarstone's catalogue
- Groove:
- groovier than 84% of Solarstone's catalogue
- Energy:
- calmer than 78% of Solarstone's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Big Wheel - Electronic Architecture 2 Dub in?
Big Wheel - Electronic Architecture 2 Dub by Solarstone is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Big Wheel - Electronic Architecture 2 Dub?
Big Wheel - Electronic Architecture 2 Dub runs at 128 BPM, a peak-time tempo track.
What mixes well with Big Wheel - Electronic Architecture 2 Dub?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Big Wheel - Electronic Architecture 2 Dub good for peak time?
With energy 73 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 128 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More trance
More from Solarstone
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.