Follow the Waves - Original Radio Edit
- BPM
- 128
- Open Key
- 9d
- Energy
- 73/100
- Pop
- 0/100
- Length
- 2:56
- Released
- 2015
- Album
- Follow the Waves
- Genre
- Trance
- Loudness
- -3.5 dB
- ISRC
- DEL671500044
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Follow the Waves - Original Mixoriginal4B · 128
- Follow the Waves - Heard Right Remixremix3B · 124
- Follow the Waves - Heard Right Extended Remixremix3A · 124
- Follow the Waves - Florian Paetzold Radio Editversion4B · 122
- Follow the Waves - Florian Paetzold Remixremix3B · 122
- Follow the Waves - Mino Safy Radio Editversion4B · 132
Against the original (4B at 128 BPM), this version holds the same tempo in the same key.
At 128 BPM in A♭ major (4B), Follow the Waves - Original Radio Edit is a peak-time tempo trance production. The feel is punchy, neutral in mood. It is vocal-led. The master is loud and heavily compressed. A 2015 production that still circulates in sets. More underground than 99% of Kyau & Albert's catalogue. In a set it works best as a mid-set roller.
- Brightness:
- brighter than 77% of Kyau & Albert's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Follow the Waves - Original Radio Edit in?
Follow the Waves - Original Radio Edit by Kyau & Albert is in A♭ major, or 4B on the Camelot wheel.
What BPM is Follow the Waves - Original Radio Edit?
Follow the Waves - Original Radio Edit runs at 128 BPM, a peak-time tempo track.
What mixes well with Follow the Waves - Original Radio Edit?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Follow the Waves - Original Radio Edit good for peak time?
With energy 73 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 128 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More trance
More from Kyau & Albert
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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