Outside (special cut) by Kyau & Albert cover art

Outside (special cut)

Kyau & Albert

30s preview

Key
3A · B♭ minor
BPM
138
Open Key
8m
Energy
96/100
Pop
20/100
Length
3:48
Released
2001
Genre
Trance
Loudness
-6.8 dB
Dynamics
13.4 dB
ISRC
DEL670400055

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 138 BPM in B♭ minor (3A), Outside (special cut) is a driving up-tempo trance production. The feel is dark and driving. It is vocal-led. The master keeps unusual dynamic range for club music (crest 13 dB). A 2001 production that still circulates in sets. Better known than 97% of Kyau & Albert's catalogue.

Energy:
hotter than 92% of Kyau & Albert's catalogue
Tempo:
faster than 92% of Kyau & Albert's catalogue
Brightness:
darker than 77% of Kyau & Albert's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy96
Mood16Dark
Groove55
Acoustic0
Instrumental13
Live32
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
32%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is Outside (special cut) in?

Outside (special cut) by Kyau & Albert is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Outside (special cut)?

Outside (special cut) runs at 138 BPM, a driving up-tempo track.

What mixes well with Outside (special cut)?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Outside (special cut) good for peak time?

With energy 96 out of 100 at 138 BPM, it works best as a peak-time weapon.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 138 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 96/100).

Similar tempo

Within ±3 BPM of 138 — beatmatch without a big tempo pull.

More trance

More from Kyau & Albert

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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