All in Good Time - Club Radio Edit
30s preview
- Key
- 4A · F minor
- BPM
- 134
- Open Key
- 9m
- Energy
- 94/100
- Pop
- 15/100
- Length
- 2:27
- Released
- 2025
- Album
- All in Good Time (Mixes)
- Genre
- Trance
- Loudness
- -3.6 dB
- Dynamics
- 13.6 dB
- ISRC
- DEL672500030
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- All in Good Time - Club Mixversion4A · 134
- All in Good Time - Taglo Extended Remixremix11A · 124
- All in Good Timeoriginal3B · 126
- All in Good Time - Taglo Remixremix3B · 124
- All in Good Time - DJ Versionoriginal3B · 126
Against the original (3B at 126 BPM), this version runs 8 BPM faster and moves the key from 3B to 4A.
A peak-time tempo trance cut, All in Good Time - Club Radio Edit sits in F minor (4A) at 134 BPM. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 14 dB). Better known than 94% of Kyau & Albert's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more treble-tilted than 89% of Kyau & Albert's catalogue
- Energy:
- hotter than 81% of Kyau & Albert's catalogue
- Tempo:
- faster than 80% of Kyau & Albert's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is All in Good Time - Club Radio Edit in?
All in Good Time - Club Radio Edit by Kyau & Albert is in F minor, or 4A on the Camelot wheel.
What BPM is All in Good Time - Club Radio Edit?
All in Good Time - Club Radio Edit runs at 134 BPM, a peak-time tempo track.
What mixes well with All in Good Time - Club Radio Edit?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is All in Good Time - Club Radio Edit good for peak time?
With energy 94 out of 100 at 134 BPM, it works best as a peak-time weapon.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 134 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 126-142 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 134 — beatmatch without a big tempo pull.
![Eternity [Mix Cut] - Paul van Dyk & Alex M.O.R.P.H. Club Mix by Paul van Dyk cover art](https://i.scdn.co/image/ab67616d00001e02f40713796cd6e41c52a7e994){kind=small}
![Be There 4 U [Mix Cut] - Mat Zo Remix by Kyau & Albert cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/412b33566c0006aa6846.webp){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 134 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![Rosaires [Mix Cut] - Giuseppe Ottaviani Remix by Giuseppe Ottaviani cover art](https://i.scdn.co/image/ab67616d00001e02768402e504d7c031c244a234){kind=small}
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