Every Little Beat - feat. Richard Bedford (Myon & Shane 54 Summer Of Love Radio Edit)
- Key
- 8A · A minor
- BPM
- 134
- Open Key
- 1m
- Energy
- 95/100
- Pop
- 0/100
- Length
- 3:15
- Released
- 2011
- Album
- Every Little Beat (feat. Richard Bedford)
- Genre
- Progressive Trance
- Loudness
- -7.2 dB
- ISRC
- GBEWA1101173
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Every Little Beat - Pretty Pink Extended Mixversion10B · 125
- Every Little Beat - Pretty Pink Remixremix10B · 125
- Every Little Beat - Khen Remixremix9A · 123
- Every Little Beat - Myon & Shane 54 Summer Of Love Mixoriginal9B · 131
- Every Little Beat - Radio Editversion8A · 130
- Every Little Beat - feat. Richard Bedford (Myon & Shane 54 Summer Of Love Mix)original9B · 134
Against the original (9B at 131 BPM), this version runs 3 BPM faster and moves the key from 9B to 8A.
Every Little Beat - feat. Richard Bedford (Myon & Shane 54 Summer Of Love Radio Edit) runs 134 BPM in A minor (8A), a peak-time tempo progressive trance record. The feel is punchy, neutral in mood. It is vocal-led. A 2011 production that still circulates in sets. More underground than 99% of Above & Beyond's catalogue.
- Energy:
- hotter than 95% of Above & Beyond's catalogue
- Brightness:
- brighter than 83% of Above & Beyond's catalogue
- Tempo:
- faster than 82% of Above & Beyond's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Every Little Beat - feat. Richard Bedford (Myon & Shane 54 Summer Of Love Radio Edit) in?
Every Little Beat - feat. Richard Bedford (Myon & Shane 54 Summer Of Love Radio Edit) by Above & Beyond is in A minor, or 8A on the Camelot wheel.
What BPM is Every Little Beat - feat. Richard Bedford (Myon & Shane 54 Summer Of Love Radio Edit)?
Every Little Beat - feat. Richard Bedford (Myon & Shane 54 Summer Of Love Radio Edit) runs at 134 BPM, a peak-time tempo track.
What mixes well with Every Little Beat - feat. Richard Bedford (Myon & Shane 54 Summer Of Love Radio Edit)?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Every Little Beat - feat. Richard Bedford (Myon & Shane 54 Summer Of Love Radio Edit) good for peak time?
With energy 95 out of 100 at 134 BPM, it works best as a peak-time weapon.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 134 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 126-142 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 95/100).
Similar tempo
Within ±3 BPM of 134 — beatmatch without a big tempo pull.
More progressive trance
More from Above & Beyond
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 134 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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