Every Little Beat - feat. Richard Bedford (Myon & Shane 54 Summer Of Love Mix)
30s preview
- Key
- 9B · G major
- BPM
- 134
- Open Key
- 2d
- Energy
- 97/100
- Pop
- 0/100
- Length
- 6:56
- Released
- 2011
- Album
- Every Little Beat (feat. Richard Bedford)
- Genre
- Progressive Trance
- Loudness
- -8.1 dB
- Dynamics
- 10.6 dB
- ISRC
- GBEWA1101171
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Every Little Beat - Pretty Pink Extended Mixversion10B · 125
- Every Little Beat - Pretty Pink Remixremix10B · 125
- Every Little Beat - Khen Remixremix9A · 123
- Every Little Beat - Myon & Shane 54 Summer Of Love Mixoriginal9B · 131
- Every Little Beat - Radio Editversion8A · 130
- Every Little Beat - feat. Richard Bedford (Myon & Shane 54 Summer Of Love Radio Edit)version8A · 134
Every Little Beat - feat. Richard Bedford (Myon & Shane 54 Summer Of Love Mix) is a peak-time tempo progressive trance track in G major (9B) at 134 BPM. It reads as punchy, neutral in mood. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2011 production that still circulates in sets. More underground than 99% of Above & Beyond's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 97% of Above & Beyond's catalogue
- Brightness:
- brighter than 90% of Above & Beyond's catalogue
- Low end:
- more bass-heavy than 89% of Above & Beyond's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 10%
- High
- 2.5-11 kHz
FAQ
What key is Every Little Beat - feat. Richard Bedford (Myon & Shane 54 Summer Of Love Mix) in?
Every Little Beat - feat. Richard Bedford (Myon & Shane 54 Summer Of Love Mix) by Above & Beyond is in G major, or 9B on the Camelot wheel.
What BPM is Every Little Beat - feat. Richard Bedford (Myon & Shane 54 Summer Of Love Mix)?
Every Little Beat - feat. Richard Bedford (Myon & Shane 54 Summer Of Love Mix) runs at 134 BPM, a peak-time tempo track.
What mixes well with Every Little Beat - feat. Richard Bedford (Myon & Shane 54 Summer Of Love Mix)?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Every Little Beat - feat. Richard Bedford (Myon & Shane 54 Summer Of Love Mix) good for peak time?
With energy 97 out of 100 at 134 BPM, it works best as a peak-time weapon.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
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How to mix it
In 9B at 134 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 126-142 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 97/100).
Similar tempo
Within ±3 BPM of 134 — beatmatch without a big tempo pull.
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More progressive trance
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Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 134 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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