Free
30s preview
- BPM
- 134
- Open Key
- 11d
- Energy
- 97/100
- Pop
- 17/100
- Length
- 3:37
- Released
- 2020
- Genre
- Trance
- Loudness
- -5.8 dB
- Dynamics
- 11.3 dB
- ISRC
- NLQ882000110
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Free runs 134 BPM in B♭ major (6B), a peak-time tempo trance record. Tonally it lands punchy, neutral in mood. It leans atmospheric over strictly danceable. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). Better known than 92% of Ferry Corsten's catalogue. For programming, treat it as a peak-time weapon.
- Energy:
- hotter than 88% of Ferry Corsten's catalogue
- Groove:
- less groove-driven than 79% of Ferry Corsten's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Free in?
Free by Ferry Corsten is in B♭ major, or 6B on the Camelot wheel.
What BPM is Free?
Free runs at 134 BPM, a peak-time tempo track.
What mixes well with Free?
From 6B it blends harmonically with 7B, 6A, 5B. Moving to 7B lifts the energy a step.
Is Free good for peak time?
With energy 97 out of 100 at 134 BPM, it works best as a peak-time weapon.
Mixes harmonically
6B → 5B · 7B · 6AFrom 6B, 7B (F major) lifts the energy a step; 6A (G minor) settles into the relative minor; 5B (E♭ major) cools the energy down a step.
![Rosaires [Mix Cut] - Giuseppe Ottaviani Remix by Giuseppe Ottaviani cover art](https://i.scdn.co/image/ab67616d00001e02768402e504d7c031c244a234){kind=small}
![Remember This [Mix Cut] - Original Mix by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02d1e10dfa800b751b45614731){kind=small}
How to mix it
In 6B at 134 BPM: 7B (F major) — move to 7B to push the floor harder; 6A (G minor) — switch to 6A for a mood change without losing the groove; 5B (E♭ major) — drop to 5B to bring the room down gently.
Pitch range at ±6%: 126-142 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1B rather than 6B; below -5% it reads as 11B. With key lock on, it stays 6B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 97/100).
Similar tempo
Within ±3 BPM of 134 — beatmatch without a big tempo pull.
More trance
![Techno Trance (ASOT 1243) [Trending Track] by Armin van Buuren cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/6805f7b2cfa69b3942e2.webp){kind=small}
More from Ferry Corsten
Full profile
![New Inner Way (ASOT 1215) [Trending Track] by Ferry Corsten cover art](https://i.scdn.co/image/ab67616d00001e027d6073953cf296ab1c10248a){kind=small}
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 134 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![Eternity [Mix Cut] - Paul van Dyk & Alex M.O.R.P.H. Club Mix by Paul van Dyk cover art](https://i.scdn.co/image/ab67616d00001e02f40713796cd6e41c52a7e994){kind=small}
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.