Lost Multiverse - Markus Schulz In Search of Sunrise Rework
30s preview
- Key
- 7B · F major
- BPM
- 134
- Open Key
- 12d
- Energy
- 98/100
- Pop
- 3/100
- Length
- 4:00
- Released
- 2021
- Album
- Lost Multiverse
- Genre
- Trance
- Loudness
- -6.2 dB
- Dynamics
- 7.4 dB
- ISRC
- NLE712100571
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Lost Multiverseoriginal9B · 130
Against the original (9B at 130 BPM), this version runs 4 BPM faster and moves the key from 9B to 7B.
A peak-time tempo trance cut, Lost Multiverse - Markus Schulz In Search of Sunrise Rework sits in F major (7B) at 134 BPM. It reads as dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Hotter than 95% of Markus Schulz's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- darker than 87% of Markus Schulz's catalogue
- Low end:
- more bass-heavy than 84% of Markus Schulz's catalogue
- Tempo:
- faster than 83% of Markus Schulz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Lost Multiverse - Markus Schulz In Search of Sunrise Rework in?
Lost Multiverse - Markus Schulz In Search of Sunrise Rework by Markus Schulz is in F major, or 7B on the Camelot wheel.
What BPM is Lost Multiverse - Markus Schulz In Search of Sunrise Rework?
Lost Multiverse - Markus Schulz In Search of Sunrise Rework runs at 134 BPM, a peak-time tempo track.
What mixes well with Lost Multiverse - Markus Schulz In Search of Sunrise Rework?
From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.
Is Lost Multiverse - Markus Schulz In Search of Sunrise Rework good for peak time?
With energy 98 out of 100 at 134 BPM, it works best as a peak-time weapon.
Mixes harmonically
7B → 6B · 8B · 7AFrom 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.
![Eternity [Mix Cut] - Paul van Dyk & Alex M.O.R.P.H. Club Mix by Paul van Dyk cover art](https://i.scdn.co/image/ab67616d00001e02f40713796cd6e41c52a7e994){kind=small}
How to mix it
In 7B at 134 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.
Pitch range at ±6%: 126-142 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 98/100).
Similar tempo
Within ±3 BPM of 134 — beatmatch without a big tempo pull.
![Techno Trance (ASOT 1243) [Trending Track] by Armin van Buuren cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/6805f7b2cfa69b3942e2.webp){kind=small}
More trance
![Rosaires [Mix Cut] - Giuseppe Ottaviani Remix by Giuseppe Ottaviani cover art](https://i.scdn.co/image/ab67616d00001e02768402e504d7c031c244a234){kind=small}
More from Markus Schulz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 134 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![Be There 4 U [Mix Cut] - Mat Zo Remix by Kyau & Albert cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/412b33566c0006aa6846.webp){kind=small}
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