![Eternity [Mix Cut] - Paul van Dyk & Alex M.O.R.P.H. Club Mix by Paul van Dyk cover art](https://i.scdn.co/image/ab67616d00001e02f40713796cd6e41c52a7e994)
Eternity [Mix Cut] - Paul van Dyk & Alex M.O.R.P.H. Club Mix
- Key
- 8B · C major
- BPM
- 134
- Open Key
- 1d
- Energy
- 94/100
- Pop
- 0/100
- Length
- 5:33
- Released
- 2012
- Album
- VONYC Sessions 2012 (Mixed Version)
- Genre
- Trance
- Loudness
- -5.0 dB
- ISRC
- NLF711207093
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Eternityoriginal8B · 128
- Eternity - Paul van Dyk & Alex M.O.R.P.H. Club Mixversion8B · 132
- Eternity - Qulinez Remixremix8B · 128
- Eternity (feat. Adam Young)original8B · 128
- Eternity (feat. Adam Young)original8B · 128
- Eternity - Johan Malmgren Instrumentaloriginal7A · 132
Against the original (8B at 128 BPM), this version runs 6 BPM faster in the same key.
A peak-time tempo trance cut, Eternity [Mix Cut] - Paul van Dyk & Alex M.O.R.P.H. Club Mix sits in C major (8B) at 134 BPM. Tonally it lands dark and driving. A 2012 production that still circulates in sets. More underground than 99% of Paul van Dyk's catalogue. For programming, treat it as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Eternity [Mix Cut] - Paul van Dyk & Alex M.O.R.P.H. Club Mix in?
Eternity [Mix Cut] - Paul van Dyk & Alex M.O.R.P.H. Club Mix by Paul van Dyk is in C major, or 8B on the Camelot wheel.
What BPM is Eternity [Mix Cut] - Paul van Dyk & Alex M.O.R.P.H. Club Mix?
Eternity [Mix Cut] - Paul van Dyk & Alex M.O.R.P.H. Club Mix runs at 134 BPM, a peak-time tempo track.
What mixes well with Eternity [Mix Cut] - Paul van Dyk & Alex M.O.R.P.H. Club Mix?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Eternity [Mix Cut] - Paul van Dyk & Alex M.O.R.P.H. Club Mix good for peak time?
With energy 94 out of 100 at 134 BPM, it works best as a peak-time weapon.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 134 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 126-142 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 134 — beatmatch without a big tempo pull.
![Be There 4 U [Mix Cut] - Mat Zo Remix by Kyau & Albert cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/412b33566c0006aa6846.webp){kind=small}
More trance
![Rosaires [Mix Cut] - Giuseppe Ottaviani Remix by Giuseppe Ottaviani cover art](https://i.scdn.co/image/ab67616d00001e02768402e504d7c031c244a234){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 134 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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