Eternity - Johan Malmgren Instrumental
30s preview
- Key
- 7A · D minor
- BPM
- 132
- Open Key
- 12m
- Energy
- 80/100
- Pop
- 0/100
- Length
- 7:07
- Released
- 2012
- Album
- Eternity (feat. Adam Young) [The Remixes]
- Genre
- Trance
- Loudness
- -5.5 dB
- Dynamics
- 10.7 dB
- ISRC
- DEQ691200131
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Eternityoriginal8B · 128
- Eternity - Paul van Dyk & Alex M.O.R.P.H. Club Mixversion8B · 132
- Eternity - Qulinez Remixremix8B · 128
- Eternity (feat. Adam Young)original8B · 128
- Eternity (feat. Adam Young)original8B · 128
- Eternity - Riley & Durrant Dub Mixversion8B · 127
Against the original (8B at 128 BPM), this version runs 4 BPM faster and moves the key from 8B to 7A.
Eternity - Johan Malmgren Instrumental is a peak-time tempo trance track in D minor (7A) at 132 BPM. The feel is punchy, neutral in mood. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2012 production that still circulates in sets. More underground than 99% of Paul van Dyk's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 81% of Paul van Dyk's catalogue
- Groove:
- groovier than 79% of Paul van Dyk's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Eternity - Johan Malmgren Instrumental in?
Eternity - Johan Malmgren Instrumental by Paul van Dyk is in D minor, or 7A on the Camelot wheel.
What BPM is Eternity - Johan Malmgren Instrumental?
Eternity - Johan Malmgren Instrumental runs at 132 BPM, a peak-time tempo track.
What mixes well with Eternity - Johan Malmgren Instrumental?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is Eternity - Johan Malmgren Instrumental good for peak time?
With energy 80 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
![Event Horizon [CC483] by Ferry Corsten cover art](https://i.scdn.co/image/ab67616d00001e026b5520771e6cba9693614dde){kind=small}
How to mix it
In 7A at 132 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 80/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More trance
![343 [Mix Cut] - Giuseppe Ottaviani Remix by Giuseppe Ottaviani cover art](https://i.scdn.co/image/ab67616d00001e02768402e504d7c031c244a234){kind=small}
More from Paul van Dyk
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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Every insight on this page, for your own library.
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