Lonely For You
30s preview
- Key
- 9A · E minor
- BPM
- 132
- Open Key
- 2m
- Energy
- 81/100
- Pop
- 21/100
- Length
- 3:13
- Released
- 2019
- Genre
- Trance
- Loudness
- -6.6 dB
- Dynamics
- 11.7 dB
- ISRC
- NLF711901125
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Lonely For You - Club Mixversion10B · 132
- Lonely for You (Jerome Remix)remix11A · 103
- Lonely for You (ATFC Club Mix)version10A · 126
- Lonely for You (ATFC Extended Club Mix)version10A · 126
- Lonely for You (ATFC Extended Vocal Mix)version10A · 126
- Lonely for You (ATFC Vocal Mix)original10A · 126
Lonely For You is a peak-time tempo trance track in E minor (9A) at 132 BPM. The feel is punchy, neutral in mood. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). Better known than 86% of Armin van Buuren's catalogue. For programming, treat it as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Lonely For You in?
Lonely For You by Armin van Buuren is in E minor, or 9A on the Camelot wheel.
What BPM is Lonely For You?
Lonely For You runs at 132 BPM, a peak-time tempo track.
What mixes well with Lonely For You?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Lonely For You good for peak time?
With energy 81 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 132 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 81/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
![343 [Mix Cut] - Giuseppe Ottaviani Remix by Giuseppe Ottaviani cover art](https://i.scdn.co/image/ab67616d00001e02768402e504d7c031c244a234){kind=small}
More trance
More from Armin van Buuren
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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