Seaching - Daxson Extended Remix
30s preview
- Key
- 9A · E minor
- BPM
- 132
- Open Key
- 2m
- Energy
- 82/100
- Pop
- 0/100
- Length
- 6:51
- Released
- 2019
- Album
- The Nine Skies (Markus Schulz presents Dakota) [Remixes]
- Genre
- Trance
- Loudness
- -7.3 dB
- Dynamics
- 11.0 dB
- ISRC
- NLE711800599
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 132 BPM in E minor (9A), Seaching - Daxson Extended Remix is a peak-time tempo trance production. It reads as dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). More underground than 99% of Markus Schulz's catalogue. In a set it works best as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Seaching - Daxson Extended Remix in?
Seaching - Daxson Extended Remix by Markus Schulz is in E minor, or 9A on the Camelot wheel.
What BPM is Seaching - Daxson Extended Remix?
Seaching - Daxson Extended Remix runs at 132 BPM, a peak-time tempo track.
What mixes well with Seaching - Daxson Extended Remix?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Seaching - Daxson Extended Remix good for peak time?
With energy 82 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 132 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 82/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More trance
![You Got To Go [feat. Zoë Johnston] by Above & Beyond cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/446ad3dd9cc448a5f242.webp){kind=small}
More from Markus Schulz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![343 [Mix Cut] - Giuseppe Ottaviani Remix by Giuseppe Ottaviani cover art](https://i.scdn.co/image/ab67616d00001e02768402e504d7c031c244a234){kind=small}
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.