You Got To Go - Kyau & Albert Remix
- Key
- 5A · C minor
- BPM
- 132
- Open Key
- 10m
- Energy
- 81/100
- Pop
- 0/100
- Length
- 5:19
- Released
- 2011
- Album
- Anjunabeats Volume 9
- Genre
- Progressive Trance
- Loudness
- -6.3 dB
- ISRC
- GBEWA1101051
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- You Got To Gooriginal5A · 132
- You Got To Go - Seven Lions Remixremix5A · 140
- You Got To Go - Fehrplay Extended Mixversion5A · 124
- You Got To Go - Fehrplay Remixremix5A · 124
- You Got to Go - Above & Beyond vs. Kyau & Albert Radio Editversion5A · 132
- You Got To Go - Kyau & Albert Remix Editremix5A · 132
Against the original (5A at 132 BPM), this version holds the same tempo in the same key.
You Got To Go - Kyau & Albert Remix: peak-time tempo progressive trance, C minor (5A), 132 BPM. A 2011 production that still circulates in sets. More underground than 99% of Above & Beyond's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 83% of Above & Beyond's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is You Got To Go - Kyau & Albert Remix in?
You Got To Go - Kyau & Albert Remix by Above & Beyond is in C minor, or 5A on the Camelot wheel.
What BPM is You Got To Go - Kyau & Albert Remix?
You Got To Go - Kyau & Albert Remix runs at 132 BPM, a peak-time tempo track.
What mixes well with You Got To Go - Kyau & Albert Remix?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is You Got To Go - Kyau & Albert Remix good for peak time?
With energy 81 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
![You Got To Go [feat. Zoë Johnston] by Above & Beyond cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/446ad3dd9cc448a5f242.webp){kind=small}
How to mix it
In 5A at 132 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 81/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More progressive trance
![343 [Mix Cut] - Giuseppe Ottaviani Remix by Giuseppe Ottaviani cover art](https://i.scdn.co/image/ab67616d00001e02768402e504d7c031c244a234){kind=small}
More from Above & Beyond
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.