You Got to Go - Above & Beyond vs. Kyau & Albert Radio Edit
- Key
- 5A · C minor
- BPM
- 132
- Open Key
- 10m
- Energy
- 85/100
- Pop
- 0/100
- Length
- 3:17
- Released
- 2011
- Album
- You Got To Go
- Genre
- Progressive Trance
- Loudness
- -5.2 dB
- ISRC
- GBEWA1100670
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- You Got To Gooriginal5A · 132
- You Got To Go - Seven Lions Remixremix5A · 140
- You Got To Go - Fehrplay Extended Mixversion5A · 124
- You Got To Go - Fehrplay Remixremix5A · 124
- You Got To Go - Kyau & Albert Remixremix5A · 132
- You Got To Go - Kyau & Albert Remix Editremix5A · 132
Against the original (5A at 132 BPM), this version holds the same tempo in the same key.
You Got to Go - Above & Beyond vs. Kyau & Albert Radio Edit runs 132 BPM in C minor (5A), a peak-time tempo progressive trance record. The feel is punchy, neutral in mood. It is vocal-led. A 2011 production that still circulates in sets. More underground than 99% of Above & Beyond's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 97% of Above & Beyond's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is You Got to Go - Above & Beyond vs. Kyau & Albert Radio Edit in?
You Got to Go - Above & Beyond vs. Kyau & Albert Radio Edit by Above & Beyond is in C minor, or 5A on the Camelot wheel.
What BPM is You Got to Go - Above & Beyond vs. Kyau & Albert Radio Edit?
You Got to Go - Above & Beyond vs. Kyau & Albert Radio Edit runs at 132 BPM, a peak-time tempo track.
What mixes well with You Got to Go - Above & Beyond vs. Kyau & Albert Radio Edit?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is You Got to Go - Above & Beyond vs. Kyau & Albert Radio Edit good for peak time?
With energy 85 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 132 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 85/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
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More progressive trance
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More from Above & Beyond
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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