Make It Home Tonight - Radio Edit
- BPM
- 132
- Open Key
- 10d
- Energy
- 87/100
- Pop
- 0/100
- Length
- 2:45
- Released
- 2018
- Album
- Neverlost, Pt. 2
- Genre
- Trance
- Loudness
- -3.6 dB
- ISRC
- DEL671800227
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Make It Home Tonight - Shato & Paul Rockseek Remixremix4A · 125
- Make It Home Tonight - Suncatcher Remix Editremix5B · 136
- Make It Home Tonight - Suncatcher Remixremix4A · 136
- Make It Home Tonight - DJ Versionoriginal4A · 132
- Make It Home Tonight - Larsson Remixremix3B · 130
- Make It Home Tonight - Larsson Remix Editremix4A · 130
Against the original (4A at 132 BPM), this version holds the same tempo and moves the key from 4A to 5B.
Make It Home Tonight - Radio Edit runs 132 BPM in E♭ major (5B), a peak-time tempo trance record. The feel is punchy, neutral in mood. It is vocal-led. The master is loud and heavily compressed. A 2018 production that still circulates in sets. More underground than 99% of Kyau & Albert's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- less groove-driven than 91% of Kyau & Albert's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Make It Home Tonight - Radio Edit in?
Make It Home Tonight - Radio Edit by Kyau & Albert is in E♭ major, or 5B on the Camelot wheel.
What BPM is Make It Home Tonight - Radio Edit?
Make It Home Tonight - Radio Edit runs at 132 BPM, a peak-time tempo track.
What mixes well with Make It Home Tonight - Radio Edit?
From 5B it blends harmonically with 6B, 5A, 4B. Moving to 6B lifts the energy a step.
Is Make It Home Tonight - Radio Edit good for peak time?
With energy 87 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
5B → 4B · 6B · 5AFrom 5B, 6B (B♭ major) lifts the energy a step; 5A (C minor) settles into the relative minor; 4B (A♭ major) cools the energy down a step.
How to mix it
In 5B at 132 BPM: 6B (B♭ major) — move to 6B to push the floor harder; 5A (C minor) — switch to 5A for a mood change without losing the groove; 4B (A♭ major) — drop to 4B to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12B rather than 5B; below -5% it reads as 10B. With key lock on, it stays 5B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 87/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
![Nothing But Chemistry Here [Mix Cut] by Solarstone cover art](https://i.scdn.co/image/ab67616d00001e02f38a6821eebea9c8f40aa7ec){kind=small}
More trance
![Neba [CC476] by Ferry Corsten cover art](https://i.scdn.co/image/ab67616d00001e02567b9cac4f405870d2debf82){kind=small}
More from Kyau & Albert
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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