I’ll Be There
30s preview
- Key
- 5A · C minor
- BPM
- 132
- Open Key
- 10m
- Energy
- 87/100
- Pop
- 2/100
- Length
- 3:00
- Released
- 2017
- Genre
- Trance
- Loudness
- -4.9 dB
- Dynamics
- 12.4 dB
- ISRC
- NLF711801841
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A peak-time tempo trance cut, I’ll Be There sits in C minor (5A) at 132 BPM. The feel is dark and driving. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). A 2017 production that still circulates in sets. More treble-tilted than 92% of Andrew Rayel's catalogue. In a set it works best as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 27%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is I’ll Be There in?
I’ll Be There by Andrew Rayel is in C minor, or 5A on the Camelot wheel.
What BPM is I’ll Be There?
I’ll Be There runs at 132 BPM, a peak-time tempo track.
What mixes well with I’ll Be There?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is I’ll Be There good for peak time?
With energy 87 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
![Corsten's Countdown 460 Intro [CC460] by Ferry Corsten cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/dc2ff4427a69369cc9b0.webp){kind=small}
How to mix it
In 5A at 132 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 87/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
![Nothing But Chemistry Here [Mix Cut] by Solarstone cover art](https://i.scdn.co/image/ab67616d00001e02f38a6821eebea9c8f40aa7ec){kind=small}
![The Lost Oracle (Transmission 2016 Theme) [Extended Mix] by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02371fc77cbd4815cfb4f088da){kind=small}
More trance
More from Andrew Rayel
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![Neba [CC476] by Ferry Corsten cover art](https://i.scdn.co/image/ab67616d00001e02567b9cac4f405870d2debf82){kind=small}
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