In Circles by Paul van Dyk cover art

In Circles

Paul van Dyk

30s preview

Key
3A · B♭ minor
BPM
132
Open Key
8m
Energy
87/100
Pop
0/100
Length
8:40
Released
2007
Genre
Trance
Loudness
-7.7 dB
Dynamics
9.8 dB
ISRC
DEW760700192

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

In Circles: peak-time tempo trance, B♭ minor (3A), 132 BPM. The feel is bright and euphoric. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2007 production that still circulates in sets. More underground than 99% of Paul van Dyk's catalogue. In a set it works best as a peak-time weapon.

Brightness:
brighter than 90% of Paul van Dyk's catalogue
Low end:
more bass-heavy than 81% of Paul van Dyk's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy87
Mood69Bright
Groove61
Acoustic0
Instrumental81
Live27
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
37%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
13%
High
2.5-11 kHz

FAQ

What key is In Circles in?

In Circles by Paul van Dyk is in B♭ minor, or 3A on the Camelot wheel.

What BPM is In Circles?

In Circles runs at 132 BPM, a peak-time tempo track.

What mixes well with In Circles?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is In Circles good for peak time?

With energy 87 out of 100 at 132 BPM, it works best as a peak-time weapon.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 132 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 87/100).

Similar tempo

Within ±3 BPM of 132 — beatmatch without a big tempo pull.

More trance

More from Paul van Dyk

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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