Forgotten Element (GDJB Weekly Drive 17)
30s preview
- BPM
- 132
- Open Key
- 8d
- Energy
- 88/100
- Pop
- 4/100
- Length
- 3:53
- Released
- 2024
- Album
- Global DJ Broadcast Weekly Drive 17
- Genre
- Trance
- Loudness
- -10.1 dB
- Dynamics
- 11.4 dB
- ISRC
- NLD682400700
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Forgotten Elementoriginal3B · 132
- Forgotten Element (GDJB Weekly Drive 28)original3B · 132
Forgotten Element (GDJB Weekly Drive 17) runs 132 BPM in D♭ major (3B), a peak-time tempo trance record. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). More bass-heavy than 79% of Markus Schulz's catalogue.
- Groove:
- groovier than 77% of Markus Schulz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Forgotten Element (GDJB Weekly Drive 17) in?
Forgotten Element (GDJB Weekly Drive 17) by Markus Schulz is in D♭ major, or 3B on the Camelot wheel.
What BPM is Forgotten Element (GDJB Weekly Drive 17)?
Forgotten Element (GDJB Weekly Drive 17) runs at 132 BPM, a peak-time tempo track.
What mixes well with Forgotten Element (GDJB Weekly Drive 17)?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Forgotten Element (GDJB Weekly Drive 17) good for peak time?
With energy 88 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 132 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 88/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More trance
More from Markus Schulz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![Seven Sins [Transmission 2014 Theme] - Original Mix by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e0254885cef08c5332510dde09d){kind=small}
![Avalon [Los Angeles] (Radio Edit) by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02939fa98b7e76f6041f874c31){kind=small}
![Fly To Colors [Mix Cut] - Carl B Remix by Markus Schulz cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/796183bfc40142a0fcc4.webp){kind=small}
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.