Never Let Me Go
30s preview
- BPM
- 132
- Open Key
- 3m
- Energy
- 88/100
- Pop
- 0/100
- Length
- 6:53
- Released
- 2017
- Genre
- Trance
- Loudness
- -4.1 dB
- Dynamics
- 8.2 dB
- ISRC
- NLF711706611
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Never Let Me Go runs 132 BPM in B minor (10A), a peak-time tempo trance record. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. A 2017 production that still circulates in sets. More underground than 99% of Andrew Rayel's catalogue.
- Low end:
- more bass-heavy than 90% of Andrew Rayel's catalogue
- Groove:
- groovier than 85% of Andrew Rayel's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Never Let Me Go in?
Never Let Me Go by Andrew Rayel is in B minor, or 10A on the Camelot wheel.
What BPM is Never Let Me Go?
Never Let Me Go runs at 132 BPM, a peak-time tempo track.
What mixes well with Never Let Me Go?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Never Let Me Go good for peak time?
With energy 88 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
![Avalon [Los Angeles] (Radio Edit) by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02939fa98b7e76f6041f874c31){kind=small}
How to mix it
In 10A at 132 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 88/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More trance
More from Andrew Rayel
Full profile![Eternal Harmony [FYH 450 Anthem] by Andrew Rayel cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/57be1dc2e3f68dd8e8a3.webp){kind=small}
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![Fly To Colors [Mix Cut] - Carl B Remix by Markus Schulz cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/796183bfc40142a0fcc4.webp){kind=small}
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.