Blown Away - Venom One Remix
30s preview
- BPM
- 132
- Open Key
- 7d
- Energy
- 90/100
- Pop
- 0/100
- Length
- 6:27
- Released
- 2014
- Album
- Blown Away
- Genre
- Trance
- Loudness
- -4.5 dB
- Dynamics
- 11.1 dB
- ISRC
- USA2P1414613
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Blown Awayoriginal12A · 126
- Blown Away - Beat Service Remixremix12A · 130
- Blown Away - Beat Service Remixremix2B · 130
- Blown Away - Extended Mixversion12A · 126
- Blown Away (feat. Liz Primo) [People of Now Remix]remix1A · 124
Against the original (12A at 126 BPM), this version runs 6 BPM faster and moves the key from 12A to 2B.
A peak-time tempo trance cut, Blown Away - Venom One Remix sits in F♯ major (2B) at 132 BPM. Tonally it lands punchy, neutral in mood. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 11 dB). A 2014 production that still circulates in sets. More underground than 99% of Markus Schulz's catalogue. For programming, treat it as a peak-time weapon.
- Groove:
- groovier than 90% of Markus Schulz's catalogue
- Brightness:
- brighter than 87% of Markus Schulz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Blown Away - Venom One Remix in?
Blown Away - Venom One Remix by Markus Schulz is in F♯ major, or 2B on the Camelot wheel.
What BPM is Blown Away - Venom One Remix?
Blown Away - Venom One Remix runs at 132 BPM, a peak-time tempo track.
What mixes well with Blown Away - Venom One Remix?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Blown Away - Venom One Remix good for peak time?
With energy 90 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 132 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 90/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
![Fly To Colors [Mix Cut] - Carl B Remix by Markus Schulz cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/796183bfc40142a0fcc4.webp){kind=small}
![Seven Sins [Transmission 2014 Theme] - Original Mix by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e0254885cef08c5332510dde09d){kind=small}
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![Avalon [Los Angeles] (Radio Edit) by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02939fa98b7e76f6041f874c31){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![Avalon [Los Angeles] by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02f1f7715622e83429d72bc9d0){kind=small}
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