![Avalon [Los Angeles] by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02f1f7715622e83429d72bc9d0)
Avalon [Los Angeles]
30s preview
- BPM
- 132
- Open Key
- 4d
- Energy
- 90/100
- Pop
- 0/100
- Length
- 8:08
- Released
- 2015
- Album
- Global DJ Broadcast - Top 20 November 2015
- Genre
- Trance
- Loudness
- -4.7 dB
- Dynamics
- 10.1 dB
- ISRC
- NLD681501399
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Avalon [Los Angeles] (Radio Edit)version11A · 132
At 132 BPM in A major (11B), Avalon [Los Angeles] is a peak-time tempo trance production. It reads as dark and driving. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. A 2015 production that still circulates in sets. More underground than 99% of Markus Schulz's catalogue. In a set it works best as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Avalon [Los Angeles] in?
Avalon [Los Angeles] by Markus Schulz is in A major, or 11B on the Camelot wheel.
What BPM is Avalon [Los Angeles]?
Avalon [Los Angeles] runs at 132 BPM, a peak-time tempo track.
What mixes well with Avalon [Los Angeles]?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Avalon [Los Angeles] good for peak time?
With energy 90 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
![Avalon [Los Angeles] (Radio Edit) by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02939fa98b7e76f6041f874c31){kind=small}
How to mix it
In 11B at 132 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 90/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More trance
![Seven Sins [Transmission 2014 Theme] - Original Mix by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e0254885cef08c5332510dde09d){kind=small}
![Neba [CC476] by Ferry Corsten cover art](https://i.scdn.co/image/ab67616d00001e02567b9cac4f405870d2debf82){kind=small}
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Full profile
Other recommendations
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