L.E.D. There Be Light - Cosmic Gate Remix
30s preview
- BPM
- 132
- Open Key
- 4m
- Energy
- 91/100
- Pop
- 29/100
- Length
- 3:31
- Released
- 2018
- Album
- L.E.D. There Be Light (Cosmic Gate Remix)
- Genre
- Trance
- Loudness
- -5.6 dB
- Dynamics
- 16.0 dB
- ISRC
- NLE801800334
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- L.E.D. There Be Light (Cosmic Gate Remix) - Liveremix11A · 132
- L.E.D. There Be Light - Cosmic Gate Remixremix11A · 132
- L.E.D. There Be Light - Cosmic Gate Extended Remixremix11A · 132
L.E.D. There Be Light - Cosmic Gate Remix runs 132 BPM in F♯ minor (11A), a peak-time tempo trance record. It reads as dark and driving. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 16 dB). A 2018 production that still circulates in sets. Better known than 94% of Cosmic Gate's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more treble-tilted than 88% of Cosmic Gate's catalogue
- Groove:
- less groove-driven than 84% of Cosmic Gate's catalogue
- Energy:
- hotter than 83% of Cosmic Gate's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is L.E.D. There Be Light - Cosmic Gate Remix in?
L.E.D. There Be Light - Cosmic Gate Remix by Cosmic Gate is in F♯ minor, or 11A on the Camelot wheel.
What BPM is L.E.D. There Be Light - Cosmic Gate Remix?
L.E.D. There Be Light - Cosmic Gate Remix runs at 132 BPM, a peak-time tempo track.
What mixes well with L.E.D. There Be Light - Cosmic Gate Remix?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is L.E.D. There Be Light - Cosmic Gate Remix good for peak time?
With energy 91 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
![Avalon [Los Angeles] by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02f1f7715622e83429d72bc9d0){kind=small}
How to mix it
In 11A at 132 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 91/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
![Electro Hairspray [Mix Cut] - Original Mix by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02e417ede21286b331d4447828){kind=small}
More trance
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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