Concorde (On The Edge) - Extended Mix
30s preview
- Key
- 8A · A minor
- BPM
- 132
- Open Key
- 1m
- Energy
- 93/100
- Pop
- 0/100
- Length
- 7:27
- Released
- 2020
- Album
- Concorde (On The Edge)
- Genre
- Trance
- Loudness
- -8.0 dB
- Dynamics
- 14.4 dB
- ISRC
- GBKQU2092698
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Concorde (On The Edge)original8B · 132
Against the original (8B at 132 BPM), this version holds the same tempo and moves the key from 8B to 8A.
Concorde (On The Edge) - Extended Mix runs 132 BPM in A minor (8A), a peak-time tempo trance record. It reads as dark and driving. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 14 dB). More underground than 99% of Daniel Kandi's catalogue. For programming, treat it as a peak-time weapon.
- Tempo:
- slower than 89% of Daniel Kandi's catalogue
- Low end:
- more treble-tilted than 75% of Daniel Kandi's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Concorde (On The Edge) - Extended Mix in?
Concorde (On The Edge) - Extended Mix by Daniel Kandi is in A minor, or 8A on the Camelot wheel.
What BPM is Concorde (On The Edge) - Extended Mix?
Concorde (On The Edge) - Extended Mix runs at 132 BPM, a peak-time tempo track.
What mixes well with Concorde (On The Edge) - Extended Mix?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Concorde (On The Edge) - Extended Mix good for peak time?
With energy 93 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
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How to mix it
In 8A at 132 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 93/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More trance
More from Daniel Kandi
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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