Calming Rain (Radio Edit) by Kyau & Albert cover art

Calming Rain (Radio Edit)

Kyau & Albert

30s preview

Key
8B · C major
BPM
132
Open Key
1d
Energy
93/100
Pop
1/100
Length
4:37
Released
2015
Genre
Trance
Loudness
-4.2 dB
Dynamics
13.1 dB
ISRC
DEL671500006

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A peak-time tempo trance cut, Calming Rain (Radio Edit) sits in C major (8B) at 132 BPM. It reads as dark and driving. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 13 dB). A 2015 production that still circulates in sets. More treble-tilted than 83% of Kyau & Albert's catalogue. For programming, treat it as a peak-time weapon.

Energy:
hotter than 79% of Kyau & Albert's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy93
Mood20Dark
Groove59
Acoustic0
Instrumental0
Live34
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
30%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
24%
Upper-mid
570 Hz-2.5 kHz
19%
High
2.5-11 kHz

FAQ

What key is Calming Rain (Radio Edit) in?

Calming Rain (Radio Edit) by Kyau & Albert is in C major, or 8B on the Camelot wheel.

What BPM is Calming Rain (Radio Edit)?

Calming Rain (Radio Edit) runs at 132 BPM, a peak-time tempo track.

What mixes well with Calming Rain (Radio Edit)?

From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.

Is Calming Rain (Radio Edit) good for peak time?

With energy 93 out of 100 at 132 BPM, it works best as a peak-time weapon.

Mixes harmonically

8B7B · 9B · 8A

From 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.

#TrackKey·BPM

Every move from 8B

9BSimple Mix Upper
7BSimple Mix Downer
8ATonal Shift·
9ADiagonal Mix Upper
7ADiagonal Mix Downer
11ACompatible Tone·
10BHigh Energy Boost▲▲▲
6BHigh Energy Drain▼▼▼
11BParallel Key Upper▲▲
5BParallel Key Downer▼▼
3BTritone Jump▲▲
12BRelated Keyrisky

How to mix it

In 8B at 132 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.

Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 93/100).

Similar tempo

Within ±3 BPM of 132 — beatmatch without a big tempo pull.

More trance

More from Kyau & Albert

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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