Punk - Arty Rock-n-Rolla Radio Edit
- Key
- 9B · G major
- BPM
- 132
- Open Key
- 2d
- Energy
- 95/100
- Pop
- 0/100
- Length
- 3:01
- Released
- 2011
- Album
- Punk Remixed
- Genre
- Trance
- Loudness
- -3.8 dB
- ISRC
- NLQ881100865
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Punk - Reinier Zonneveld Remixremix8A · 135
- Punk - Tom Staar Extended Remixremix9B · 126
- Punk - Tom Staar Remixremix9B · 126
- Punk - MaRLo Remixremix9B · 135
- Punkoriginal9B · 135
- Punkoriginal9B · 135
Against the original (9B at 135 BPM), this version runs 3 BPM slower in the same key.
A peak-time tempo trance cut, Punk - Arty Rock-n-Rolla Radio Edit sits in G major (9B) at 132 BPM. Tonally it lands dark and driving. The mix is almost entirely instrumental. The master is loud and heavily compressed. A 2011 production that still circulates in sets. More underground than 99% of Ferry Corsten's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 80% of Ferry Corsten's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Punk - Arty Rock-n-Rolla Radio Edit in?
Punk - Arty Rock-n-Rolla Radio Edit by Ferry Corsten is in G major, or 9B on the Camelot wheel.
What BPM is Punk - Arty Rock-n-Rolla Radio Edit?
Punk - Arty Rock-n-Rolla Radio Edit runs at 132 BPM, a peak-time tempo track.
What mixes well with Punk - Arty Rock-n-Rolla Radio Edit?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Punk - Arty Rock-n-Rolla Radio Edit good for peak time?
With energy 95 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
![Forever (Stay Like This) [ASOT 1157] [Trending Track] - Club Mix by Armin van Buuren cover art](https://i.scdn.co/image/ab67616d00001e02c40c18f472dd5b005fd68d12){kind=small}
How to mix it
In 9B at 132 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 95/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
![Carry On (feat. Jaren) [Solis & Sean Truby Remix] by Markus Schulz cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/3d44146941fc210272b7.webp){kind=small}
More trance
![London Rain (WYM142) [Extended Mix] by Cosmic Gate cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/6bb83f8aa3e846275c24.webp){kind=small}
More from Ferry Corsten
Full profile
![New Inner Way (ASOT 1215) [Trending Track] by Ferry Corsten cover art](https://i.scdn.co/image/ab67616d00001e027d6073953cf296ab1c10248a){kind=small}
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.