Punk - MaRLo Remix
- Key
- 9B · G major
- BPM
- 135
- Open Key
- 2d
- Energy
- 78/100
- Pop
- 0/100
- Length
- 8:20
- Released
- 2011
- Album
- Corsten's Countdown 200 (The Finest Selection Of 200 Shows)
- Genre
- Trance
- Loudness
- -8.5 dB
- ISRC
- NLQ881100846
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Punk - Reinier Zonneveld Remixremix8A · 135
- Punk - Tom Staar Extended Remixremix9B · 126
- Punk - Tom Staar Remixremix9B · 126
- Punk - Arty Rock-n-Rolla Radio Editversion9B · 132
- Punkoriginal9B · 135
- Punkoriginal9B · 135
Against the original (9B at 135 BPM), this version holds the same tempo in the same key.
Punk - MaRLo Remix: driving up-tempo trance, G major (9B), 135 BPM. The feel is dark and driving. The mix is almost entirely instrumental. A 2011 production that still circulates in sets. More underground than 99% of Ferry Corsten's catalogue. For programming, treat it as a peak-time weapon.
- Groove:
- groovier than 93% of Ferry Corsten's catalogue
- Brightness:
- darker than 88% of Ferry Corsten's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Punk - MaRLo Remix in?
Punk - MaRLo Remix by Ferry Corsten is in G major, or 9B on the Camelot wheel.
What BPM is Punk - MaRLo Remix?
Punk - MaRLo Remix runs at 135 BPM, a driving up-tempo track.
What mixes well with Punk - MaRLo Remix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Punk - MaRLo Remix good for peak time?
With energy 78 out of 100 at 135 BPM, it works best as a peak-time weapon.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 135 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 78/100).
Similar tempo
Within ±3 BPM of 135 — beatmatch without a big tempo pull.
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Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.