Lost in Berlin - Giuseppe Ottaviani Remix
- BPM
- 135
- Open Key
- 4m
- Energy
- 78/100
- Pop
- 5/100
- Length
- 7:33
- Released
- 2012
- Album
- (R)Evolution [The Remixes]
- Genre
- Trance
- Loudness
- -6.3 dB
- ISRC
- DEQ691300008
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Lost in Berlinoriginal11A · 132
- Lost In Berlin - Giuseppe Ottaviani Remixremix11A · 135
- Lost In Berlin - Giuseppe Ottaviani Remixremix11A · 134
- Lost In Berlin - Giuseppe Ottaviani Radio Editversion11A · 135
- Lost In Berlin - Extended Mixversion11A · 132
Against the original (11A at 132 BPM), this version runs 3 BPM faster in the same key.
At 135 BPM in F♯ minor (11A), Lost in Berlin - Giuseppe Ottaviani Remix is a driving up-tempo trance production. Tonally it lands punchy, neutral in mood. A 2012 production that still circulates in sets. For programming, treat it as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Lost in Berlin - Giuseppe Ottaviani Remix in?
Lost in Berlin - Giuseppe Ottaviani Remix by Paul van Dyk is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Lost in Berlin - Giuseppe Ottaviani Remix?
Lost in Berlin - Giuseppe Ottaviani Remix runs at 135 BPM, a driving up-tempo track.
What mixes well with Lost in Berlin - Giuseppe Ottaviani Remix?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Lost in Berlin - Giuseppe Ottaviani Remix good for peak time?
With energy 78 out of 100 at 135 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 135 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 78/100).
Similar tempo
Within ±3 BPM of 135 — beatmatch without a big tempo pull.
More trance
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Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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