Forbidden Fruit - Fruit Of Love Mix
- BPM
- 136
- Open Key
- 3m
- Energy
- 80/100
- Pop
- 0/100
- Length
- 6:22
- Released
- 1997
- Album
- Forbidden Fruit (Part 1)
- Genre
- Trance
- Loudness
- -9.5 dB
- ISRC
- DEW760900102
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Forbidden Fruit - Originaloriginal10A · 136
- Forbidden Fruit - Video Editversion11B · 132
- Forbidden Fruit - BT & PvD's Food Of Love Mixoriginal11B · 131
- Forbidden Fruit - Futureworld Mixoriginal9B · 136
- Forbidden Fruit - Giuseppe Ottovianioriginal11B · 137
- Forbidden Fruitoriginal11B · 135
Forbidden Fruit - Fruit Of Love Mix is a driving up-tempo trance track in B minor (10A) at 136 BPM. It reads as punchy, neutral in mood. The mix is almost entirely instrumental. A 1997 production that still circulates in sets. More underground than 99% of Paul van Dyk's catalogue. For programming, treat it as a peak-time weapon.
- Brightness:
- brighter than 81% of Paul van Dyk's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Forbidden Fruit - Fruit Of Love Mix in?
Forbidden Fruit - Fruit Of Love Mix by Paul van Dyk is in B minor, or 10A on the Camelot wheel.
What BPM is Forbidden Fruit - Fruit Of Love Mix?
Forbidden Fruit - Fruit Of Love Mix runs at 136 BPM, a driving up-tempo track.
What mixes well with Forbidden Fruit - Fruit Of Love Mix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Forbidden Fruit - Fruit Of Love Mix good for peak time?
With energy 80 out of 100 at 136 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
![Therapy (feat. James Newman) [STANDERWICK Remix] by Armin van Buuren cover art](https://i.scdn.co/image/ab67616d00001e028db237a063e305de324bbd80){kind=small}
How to mix it
In 10A at 136 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 128-144 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 80/100).
Similar tempo
Within ±3 BPM of 136 — beatmatch without a big tempo pull.
More trance
More from Paul van Dyk
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 136 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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