Forbidden Fruit - Video Edit
30s preview
- BPM
- 132
- Open Key
- 4d
- Energy
- 90/100
- Pop
- 8/100
- Length
- 3:48
- Released
- 1997
- Album
- Forbidden Fruit 2
- Genre
- Trance
- Loudness
- -9.7 dB
- Dynamics
- 15.2 dB
- ISRC
- DEW760900103
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Forbidden Fruit - Originaloriginal10A · 136
- Forbidden Fruit - BT & PvD's Food Of Love Mixoriginal11B · 131
- Forbidden Fruit - Futureworld Mixoriginal9B · 136
- Forbidden Fruit - Giuseppe Ottovianioriginal11B · 137
- Forbidden Fruitoriginal11B · 135
- Forbidden Fruit - DVD Main Studio Versionoriginal11B · 135
Against the original (10A at 136 BPM), this version runs 4 BPM slower and moves the key from 10A to 11B.
Forbidden Fruit - Video Edit: peak-time tempo trance, A major (11B), 132 BPM. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 15 dB). A 1997 production that still circulates in sets. Brighter than 94% of Paul van Dyk's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more treble-tilted than 93% of Paul van Dyk's catalogue
- Groove:
- groovier than 80% of Paul van Dyk's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 28%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Forbidden Fruit - Video Edit in?
Forbidden Fruit - Video Edit by Paul van Dyk is in A major, or 11B on the Camelot wheel.
What BPM is Forbidden Fruit - Video Edit?
Forbidden Fruit - Video Edit runs at 132 BPM, a peak-time tempo track.
What mixes well with Forbidden Fruit - Video Edit?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Forbidden Fruit - Video Edit good for peak time?
With energy 90 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
![Avalon [Los Angeles] (Radio Edit) by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02939fa98b7e76f6041f874c31){kind=small}
How to mix it
In 11B at 132 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 90/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
![Fly To Colors [Mix Cut] - Carl B Remix by Markus Schulz cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/796183bfc40142a0fcc4.webp){kind=small}
![Seven Sins [Transmission 2014 Theme] - Original Mix by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e0254885cef08c5332510dde09d){kind=small}
More trance
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![Avalon [Los Angeles] by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02f1f7715622e83429d72bc9d0){kind=small}
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