![Avalon [Los Angeles] (Radio Edit) by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02939fa98b7e76f6041f874c31)
Avalon [Los Angeles] (Radio Edit)
- BPM
- 132
- Open Key
- 4m
- Energy
- 90/100
- Pop
- 0/100
- Length
- 3:32
- Released
- 2015
- Album
- Avalon [Los Angeles]
- Genre
- Trance
- Loudness
- -5.0 dB
- ISRC
- NLD681501400
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Avalon [Los Angeles]original11B · 132
Against the original (11B at 132 BPM), this version holds the same tempo and moves the key from 11B to 11A.
Avalon [Los Angeles] (Radio Edit): peak-time tempo trance, F♯ minor (11A), 132 BPM. The feel is dark and driving. A 2015 production that still circulates in sets. More underground than 99% of Markus Schulz's catalogue. For programming, treat it as a peak-time weapon.
- Brightness:
- darker than 87% of Markus Schulz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Avalon [Los Angeles] (Radio Edit) in?
Avalon [Los Angeles] (Radio Edit) by Markus Schulz is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Avalon [Los Angeles] (Radio Edit)?
Avalon [Los Angeles] (Radio Edit) runs at 132 BPM, a peak-time tempo track.
What mixes well with Avalon [Los Angeles] (Radio Edit)?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Avalon [Los Angeles] (Radio Edit) good for peak time?
With energy 90 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
![Avalon [Los Angeles] by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02f1f7715622e83429d72bc9d0){kind=small}
How to mix it
In 11A at 132 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 90/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
![Seven Sins [Transmission 2014 Theme] - Original Mix by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e0254885cef08c5332510dde09d){kind=small}
More trance
![Fly To Colors [Mix Cut] - Carl B Remix by Markus Schulz cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/796183bfc40142a0fcc4.webp){kind=small}
More from Markus Schulz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.