![Seven Sins [Transmission 2014 Theme] - Original Mix by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e0254885cef08c5332510dde09d)
Seven Sins [Transmission 2014 Theme] - Original Mix
30s preview
- Key
- 9B · G major
- BPM
- 132
- Open Key
- 2d
- Energy
- 90/100
- Pop
- 0/100
- Length
- 7:02
- Released
- 2014
- Album
- Seven Sins [Transmission 2014 Theme]
- Genre
- Trance
- Loudness
- -5.8 dB
- Dynamics
- 8.9 dB
- ISRC
- USA2P1469689
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Seven Sins [Transmission 2014 Theme] - Original Mix is a peak-time tempo trance track in G major (9B) at 132 BPM. The feel is dark and driving. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2014 production that still circulates in sets. More underground than 99% of Markus Schulz's catalogue. For programming, treat it as a peak-time weapon.
- Brightness:
- darker than 82% of Markus Schulz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Seven Sins [Transmission 2014 Theme] - Original Mix in?
Seven Sins [Transmission 2014 Theme] - Original Mix by Markus Schulz is in G major, or 9B on the Camelot wheel.
What BPM is Seven Sins [Transmission 2014 Theme] - Original Mix?
Seven Sins [Transmission 2014 Theme] - Original Mix runs at 132 BPM, a peak-time tempo track.
What mixes well with Seven Sins [Transmission 2014 Theme] - Original Mix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Seven Sins [Transmission 2014 Theme] - Original Mix good for peak time?
With energy 90 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
![Electro Hairspray [Mix Cut] - Original Mix by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02e417ede21286b331d4447828){kind=small}
How to mix it
In 9B at 132 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 90/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
![Fly To Colors [Mix Cut] - Carl B Remix by Markus Schulz cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/796183bfc40142a0fcc4.webp){kind=small}
![Avalon [Los Angeles] (Radio Edit) by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02939fa98b7e76f6041f874c31){kind=small}
More trance
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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