In The Silence - Extended Mix
30s preview
- BPM
- 132
- Open Key
- 7d
- Energy
- 92/100
- Pop
- 10/100
- Length
- 5:09
- Released
- 2024
- Album
- In The Silence
- Genre
- Trance
- Loudness
- -6.6 dB
- Dynamics
- 14.0 dB
- ISRC
- NLF712408334
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- In The Silenceoriginal2B · 132
Against the original (2B at 132 BPM), this version holds the same tempo in the same key.
A peak-time tempo trance cut, In The Silence - Extended Mix sits in F♯ major (2B) at 132 BPM. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). Groovier than 86% of Giuseppe Ottaviani's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more treble-tilted than 77% of Giuseppe Ottaviani's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is In The Silence - Extended Mix in?
In The Silence - Extended Mix by Giuseppe Ottaviani is in F♯ major, or 2B on the Camelot wheel.
What BPM is In The Silence - Extended Mix?
In The Silence - Extended Mix runs at 132 BPM, a peak-time tempo track.
What mixes well with In The Silence - Extended Mix?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is In The Silence - Extended Mix good for peak time?
With energy 92 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 132 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 92/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More trance
![Fly To Colors [Mix Cut] - Carl B Remix by Markus Schulz cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/796183bfc40142a0fcc4.webp){kind=small}
More from Giuseppe Ottaviani
Full profile
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![Seven Sins [Transmission 2014 Theme] - Original Mix by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e0254885cef08c5332510dde09d){kind=small}
Every insight on this page, for your own library.
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