Filthy Fandango - Radio Edit
- BPM
- 132
- Open Key
- 8d
- Energy
- 95/100
- Pop
- 3/100
- Length
- 2:48
- Released
- 2012
- Album
- Burana / Filthy Fandango
- Genre
- Trance
- Loudness
- -1.6 dB
- ISRC
- NLF711205166
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Filthy Fandango - Original Mixoriginal3B · 126
Against the original (3B at 126 BPM), this version runs 6 BPM faster in the same key.
Filthy Fandango - Radio Edit: peak-time tempo trance, D♭ major (3B), 132 BPM. Tonally it lands dark and driving. The groove is loose and less beat-driven. The mix is almost entirely instrumental. The master is loud and heavily compressed. A 2012 production that still circulates in sets. Less groove-driven than 98% of Orjan Nilsen's catalogue. For programming, treat it as a peak-time weapon.
- Brightness:
- darker than 88% of Orjan Nilsen's catalogue
- Tempo:
- faster than 83% of Orjan Nilsen's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Filthy Fandango - Radio Edit in?
Filthy Fandango - Radio Edit by Orjan Nilsen is in D♭ major, or 3B on the Camelot wheel.
What BPM is Filthy Fandango - Radio Edit?
Filthy Fandango - Radio Edit runs at 132 BPM, a peak-time tempo track.
What mixes well with Filthy Fandango - Radio Edit?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Filthy Fandango - Radio Edit good for peak time?
With energy 95 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
![Lost (CC496) [Ferry Corsten Remix] by Ferry Corsten cover art](https://i.scdn.co/image/ab67616d00001e026e07b426d42fda79dbee993d){kind=small}
How to mix it
In 3B at 132 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 95/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
![Anahera [CC443] by Ferry Corsten cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/2690f4fc8e124888eb70.webp){kind=small}
More trance
![Carry On (feat. Jaren) [Solis & Sean Truby Remix] by Markus Schulz cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/3d44146941fc210272b7.webp){kind=small}
More from Orjan Nilsen
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![Forever (Stay Like This) [ASOT 1157] [Trending Track] - Club Mix by Armin van Buuren cover art](https://i.scdn.co/image/ab67616d00001e02c40c18f472dd5b005fd68d12){kind=small}
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.