Rude Boyz
30s preview
- BPM
- 132
- Open Key
- 7d
- Energy
- 93/100
- Pop
- 10/100
- Length
- 5:35
- Released
- 2024
- Genre
- Progressive Trance
- Loudness
- -4.8 dB
- Dynamics
- 12.2 dB
- ISRC
- GBEWA2403021
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A peak-time tempo progressive trance cut, Rude Boyz sits in F♯ major (2B) at 132 BPM. It reads as dark and driving. The groove is loose and less beat-driven. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). Less groove-driven than 99% of Oliver Smith's catalogue. For programming, treat it as a peak-time weapon.
- Energy:
- hotter than 94% of Oliver Smith's catalogue
- Low end:
- more treble-tilted than 89% of Oliver Smith's catalogue
- Tempo:
- faster than 79% of Oliver Smith's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Rude Boyz in?
Rude Boyz by Oliver Smith is in F♯ major, or 2B on the Camelot wheel.
What BPM is Rude Boyz?
Rude Boyz runs at 132 BPM, a peak-time tempo track.
What mixes well with Rude Boyz?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Rude Boyz good for peak time?
With energy 93 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
![Corsten's Countdown 450 Intro [CC450] by Ferry Corsten cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/0f9d78487555c9e0cf5c.webp){kind=small}
![Bombay [Mumbai] (Radio Edit) by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02ccc86b89fb817c3e0516d764){kind=small}
![Nothing But Chemistry Here [Mix Cut] by Solarstone cover art](https://i.scdn.co/image/ab67616d00001e02f38a6821eebea9c8f40aa7ec){kind=small}
How to mix it
In 2B at 132 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 93/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More progressive trance
More from Oliver Smith
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![Corsten's Countdown 460 Intro [CC460] by Ferry Corsten cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/dc2ff4427a69369cc9b0.webp){kind=small}
![Electro Hairspray [Mix Cut] - Original Mix by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02e417ede21286b331d4447828){kind=small}
![Forever (Stay Like This) [ASOT 1157] [Trending Track] - Club Mix by Armin van Buuren cover art](https://i.scdn.co/image/ab67616d00001e02c40c18f472dd5b005fd68d12){kind=small}
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