![Corsten's Countdown 460 Intro [CC460] by Ferry Corsten cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/dc2ff4427a69369cc9b0.webp)
Corsten's Countdown 460 Intro [CC460]
- Key
- 4A · F minor
- BPM
- 132
- Open Key
- 9m
- Energy
- 90/100
- Pop
- 0/100
- Length
- 2:03
- Released
- 2016
- Album
- Corsten's Countdown 460
- Genre
- Trance
- Loudness
- -3.4 dB
- ISRC
- NLD681601045
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A peak-time tempo trance cut, Corsten's Countdown 460 Intro [CC460] sits in F minor (4A) at 132 BPM. It is vocal-led. Spoken-word passages run through it. The master is loud and heavily compressed. A 2016 production that still circulates in sets. More underground than 99% of Ferry Corsten's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- less groove-driven than 82% of Ferry Corsten's catalogue
- Brightness:
- brighter than 80% of Ferry Corsten's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Corsten's Countdown 460 Intro [CC460] in?
Corsten's Countdown 460 Intro [CC460] by Ferry Corsten is in F minor, or 4A on the Camelot wheel.
What BPM is Corsten's Countdown 460 Intro [CC460]?
Corsten's Countdown 460 Intro [CC460] runs at 132 BPM, a peak-time tempo track.
What mixes well with Corsten's Countdown 460 Intro [CC460]?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Corsten's Countdown 460 Intro [CC460] good for peak time?
With energy 90 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 132 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 90/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
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Every insight on this page, for your own library.
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