Angel - Michael & Levan and Stiven Rivic Remix
- Key
- 4A · F minor
- BPM
- 132
- Open Key
- 9m
- Energy
- 94/100
- Pop
- 0/100
- Length
- 10:25
- Released
- 2010
- Album
- Angel
- Genre
- Trance
- Loudness
- -8.5 dB
- ISRC
- GBCDK1001040
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Angel - Deep In Calm Remixremix3B · 130
- Angel - Dark Soul Project Intro Remixremix7A · 65
- Angel - Dark Soul Project Remixremix9B · 130
- Angel - Frede Goto Remixremix11A · 130
- Angel - No Breakdown Versionoriginal4A · 132
- Angel - Original Mixoriginal4A · 132
Against the original (4A at 132 BPM), this version holds the same tempo in the same key.
A peak-time tempo trance cut, Angel - Michael & Levan and Stiven Rivic Remix sits in F minor (4A) at 132 BPM. It reads as dark and driving. The mix is almost entirely instrumental. A 2010 production that still circulates in sets. More underground than 99% of John 00 Fleming's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- less groove-driven than 82% of John 00 Fleming's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Angel - Michael & Levan and Stiven Rivic Remix in?
Angel - Michael & Levan and Stiven Rivic Remix by John 00 Fleming is in F minor, or 4A on the Camelot wheel.
What BPM is Angel - Michael & Levan and Stiven Rivic Remix?
Angel - Michael & Levan and Stiven Rivic Remix runs at 132 BPM, a peak-time tempo track.
What mixes well with Angel - Michael & Levan and Stiven Rivic Remix?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Angel - Michael & Levan and Stiven Rivic Remix good for peak time?
With energy 94 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 132 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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