![Carry On (feat. Jaren) [Solis & Sean Truby Remix] by Markus Schulz cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/3d44146941fc210272b7.webp)
Carry On (feat. Jaren) [Solis & Sean Truby Remix]
30s preview
- BPM
- 132
- Open Key
- 6m
- Energy
- 94/100
- Pop
- 0/100
- Length
- 7:19
- Released
- 2014
- Album
- Scream 2 (Collected Remixes Part 1)
- Genre
- Trance
- Loudness
- -5.7 dB
- Dynamics
- 9.7 dB
- ISRC
- USA2P1412279
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Carry On - Solid & Sean Truby Remixremix2B · 132
Carry On (feat. Jaren) [Solis & Sean Truby Remix] runs 132 BPM in A♭ minor (1A), a peak-time tempo trance record. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2014 production that still circulates in sets. More underground than 99% of Markus Schulz's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 89% of Markus Schulz's catalogue
- Energy:
- hotter than 87% of Markus Schulz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Carry On (feat. Jaren) [Solis & Sean Truby Remix] in?
Carry On (feat. Jaren) [Solis & Sean Truby Remix] by Markus Schulz is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Carry On (feat. Jaren) [Solis & Sean Truby Remix]?
Carry On (feat. Jaren) [Solis & Sean Truby Remix] runs at 132 BPM, a peak-time tempo track.
What mixes well with Carry On (feat. Jaren) [Solis & Sean Truby Remix]?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Carry On (feat. Jaren) [Solis & Sean Truby Remix] good for peak time?
With energy 94 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
![Kiksu [Mix Cut] - 2011 Rework by Kyau & Albert cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/412b33566c0006aa6846.webp){kind=small}
How to mix it
In 1A at 132 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
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Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.