
Follow the Waves - Mino Safy Radio Edit
30s preview
- BPM
- 132
- Open Key
- 9d
- Energy
- 96/100
- Pop
- 0/100
- Length
- 3:48
- Released
- 2015
- Album
- Follow the Waves
- Genre
- Trance
- Loudness
- -4.0 dB
- Dynamics
- 10.7 dB
- ISRC
- DEL671500041
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Follow the Waves - Original Mixoriginal4B · 128
- Follow the Waves - Heard Right Remixremix3B · 124
- Follow the Waves - Heard Right Extended Remixremix3A · 124
- Follow the Waves - Florian Paetzold Radio Editversion4B · 122
- Follow the Waves - Florian Paetzold Remixremix3B · 122
- Follow the Waves - Mino Safy Remixremix4B · 132
Against the original (4B at 128 BPM), this version runs 4 BPM faster in the same key.
Follow the Waves - Mino Safy Radio Edit runs 132 BPM in A♭ major (4B), a peak-time tempo trance record. It is vocal-led. The master is loud and heavily compressed. A 2015 production that still circulates in sets. More underground than 99% of Kyau & Albert's catalogue.
- Energy:
- hotter than 93% of Kyau & Albert's catalogue
- Low end:
- more treble-tilted than 87% of Kyau & Albert's catalogue
- Groove:
- less groove-driven than 77% of Kyau & Albert's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Follow the Waves - Mino Safy Radio Edit in?
Follow the Waves - Mino Safy Radio Edit by Kyau & Albert is in A♭ major, or 4B on the Camelot wheel.
What BPM is Follow the Waves - Mino Safy Radio Edit?
Follow the Waves - Mino Safy Radio Edit runs at 132 BPM, a peak-time tempo track.
What mixes well with Follow the Waves - Mino Safy Radio Edit?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Follow the Waves - Mino Safy Radio Edit good for peak time?
With energy 96 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 132 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 96/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More trance
More from Kyau & Albert
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.