Hereafter - Ahmed Helmy Remix
30s preview
- Key
- 4A · F minor
- BPM
- 132
- Open Key
- 9m
- Energy
- 96/100
- Pop
- 4/100
- Length
- 4:20
- Released
- 2020
- Album
- Hereafter (Ahmed Helmy Remix)
- Genre
- Trance
- Loudness
- -5.4 dB
- Dynamics
- 12.6 dB
- ISRC
- GBKQU2033323
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Hereafteroriginal4A · 134
- Hereafter - Extended Mixversion3B · 134
- Hereafter - Ahmed Helmy Extended Remixremix4A · 132
Against the original (4A at 134 BPM), this version runs 2 BPM slower in the same key.
A peak-time tempo trance cut, Hereafter - Ahmed Helmy Remix sits in F minor (4A) at 132 BPM. Tonally it lands dark and driving. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 13 dB). Slower than 89% of Daniel Kandi's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more treble-tilted than 75% of Daniel Kandi's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Hereafter - Ahmed Helmy Remix in?
Hereafter - Ahmed Helmy Remix by Daniel Kandi is in F minor, or 4A on the Camelot wheel.
What BPM is Hereafter - Ahmed Helmy Remix?
Hereafter - Ahmed Helmy Remix runs at 132 BPM, a peak-time tempo track.
What mixes well with Hereafter - Ahmed Helmy Remix?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Hereafter - Ahmed Helmy Remix good for peak time?
With energy 96 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 132 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 96/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
![Remember This [Mix Cut] - Original Mix by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02d1e10dfa800b751b45614731){kind=small}
![Neba [CC475] by Ferry Corsten cover art](https://i.scdn.co/image/ab67616d00001e02b9adc1a1a3ac6dc906629978){kind=small}
![Lost (CC496) [Ferry Corsten Remix] by Ferry Corsten cover art](https://i.scdn.co/image/ab67616d00001e026e07b426d42fda79dbee993d){kind=small}
More trance
![The Spirit of the Warrior [Transmission 2017 Theme] - Radio Edit by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02bd960d87d967668882bc9f24){kind=small}
More from Daniel Kandi
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![Neba [Hattrick] [CC470] by Ferry Corsten cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/a87ff9dc474faebda717.webp){kind=small}
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.