Vanderbilt (GDJB Weekly Drive 17)
30s preview
- Key
- 5A · C minor
- BPM
- 132
- Open Key
- 10m
- Energy
- 97/100
- Pop
- 7/100
- Length
- 3:18
- Released
- 2024
- Album
- Global DJ Broadcast Weekly Drive 17
- Genre
- Trance
- Loudness
- -8.9 dB
- Dynamics
- 11.3 dB
- ISRC
- NLD682400697
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Vanderbiltoriginal4B · 132
- Vanderbilt (Destinations 22)original5A · 132
Vanderbilt (GDJB Weekly Drive 17) runs 132 BPM in C minor (5A), a peak-time tempo trance record. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). Hotter than 92% of Markus Schulz's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- darker than 90% of Markus Schulz's catalogue
- Low end:
- more bass-heavy than 81% of Markus Schulz's catalogue
- Reach:
- better known than 79% of Markus Schulz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Vanderbilt (GDJB Weekly Drive 17) in?
Vanderbilt (GDJB Weekly Drive 17) by Markus Schulz is in C minor, or 5A on the Camelot wheel.
What BPM is Vanderbilt (GDJB Weekly Drive 17)?
Vanderbilt (GDJB Weekly Drive 17) runs at 132 BPM, a peak-time tempo track.
What mixes well with Vanderbilt (GDJB Weekly Drive 17)?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Vanderbilt (GDJB Weekly Drive 17) good for peak time?
With energy 97 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
![Remember This [Mix Cut] - Original Mix by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02d1e10dfa800b751b45614731){kind=small}
![London Rain (WYM142) [Extended Mix] by Cosmic Gate cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/6bb83f8aa3e846275c24.webp){kind=small}
How to mix it
In 5A at 132 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 97/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More trance
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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