All in Good Time - Taglo Extended Remix
- BPM
- 124
- Open Key
- 4m
- Energy
- 44/100
- Pop
- 29/100
- Length
- 6:31
- Released
- 2025
- Album
- All in Good Time (Mixes)
- Genre
- Trance
- Loudness
- -11.6 dB
- ISRC
- DEL672500033
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- All in Good Time - Club Mixversion4A · 134
- All in Good Time - Club Radio Editversion4A · 134
- All in Good Timeoriginal3B · 126
- All in Good Time - Taglo Remixremix3B · 124
- All in Good Time - DJ Versionoriginal3B · 126
Against the original (3B at 126 BPM), this version runs 2 BPM slower and moves the key from 3B to 11A.
A club-tempo trance cut, All in Good Time - Taglo Extended Remix sits in F♯ minor (11A) at 124 BPM. The master keeps real dynamic headroom. Calmer than 98% of Kyau & Albert's catalogue. In a set it works best as a warm-up or breakdown cut.
- Reach:
- better known than 98% of Kyau & Albert's catalogue
- Groove:
- groovier than 88% of Kyau & Albert's catalogue
- Brightness:
- brighter than 88% of Kyau & Albert's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is All in Good Time - Taglo Extended Remix in?
All in Good Time - Taglo Extended Remix by Kyau & Albert is in F♯ minor, or 11A on the Camelot wheel.
What BPM is All in Good Time - Taglo Extended Remix?
All in Good Time - Taglo Extended Remix runs at 124 BPM, a club-tempo track.
What mixes well with All in Good Time - Taglo Extended Remix?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is All in Good Time - Taglo Extended Remix good for peak time?
With energy 44 out of 100 at 124 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 124 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More trance
More from Kyau & Albert
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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