Luv Deluxe - Jody Wisternoff & James Grant Remix by James Grant cover art

Luv Deluxe - Jody Wisternoff & James Grant Remix

James Grant

30s preview

Key
8A · A minor
BPM
124
Open Key
1m
Energy
46/100
Pop
5/100
Length
7:19
Released
2017
Album
Luv Deluxe (Jody Wisternoff & James Grant Remix)
Genre
Progressive House
Loudness
-9.2 dB
Dynamics
11.5 dB
ISRC
GBEWA1700121

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Luv Deluxe - Jody Wisternoff & James Grant Remix is a club-tempo progressive house track in A minor (8A) at 124 BPM. The feel is bright and easy. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2017 production that still circulates in sets. Brighter than 97% of James Grant's catalogue. In a set it works best as a mid-set roller.

Low end:
more bass-heavy than 94% of James Grant's catalogue
Energy:
calmer than 86% of James Grant's catalogue
Reach:
more underground than 85% of James Grant's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy46
Mood71Bright
Groove72
Acoustic0
Instrumental89
Live2
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
42%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
16%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is Luv Deluxe - Jody Wisternoff & James Grant Remix in?

Luv Deluxe - Jody Wisternoff & James Grant Remix by James Grant is in A minor, or 8A on the Camelot wheel.

What BPM is Luv Deluxe - Jody Wisternoff & James Grant Remix?

Luv Deluxe - Jody Wisternoff & James Grant Remix runs at 124 BPM, a club-tempo track.

What mixes well with Luv Deluxe - Jody Wisternoff & James Grant Remix?

From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.

Is Luv Deluxe - Jody Wisternoff & James Grant Remix good for peak time?

With energy 46 out of 100 at 124 BPM, it works best as a mid-set roller.

Mixes harmonically

8A7A · 9A · 8B

From 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.

#Track

Every move from 8A

9ASimple Mix Upper
7ASimple Mix Downer
8BTonal Shift·
9BDiagonal Mix Upper
7BDiagonal Mix Downer
5BCompatible Tone·
10AHigh Energy Boost▲▲▲
6AHigh Energy Drain▼▼▼
11AParallel Key Upper▲▲
5AParallel Key Downer▼▼
3ATritone Jump▲▲
12ARelated Keyrisky

How to mix it

In 8A at 124 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.

Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 124 — beatmatch without a big tempo pull.

More progressive house

More from James Grant

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track