Buenos Aires - Terry Lee Brown Jnr Dub
30s preview
- BPM
- 124
- Open Key
- 3d
- Energy
- 47/100
- Pop
- 4/100
- Length
- 6:16
- Released
- 2011
- Album
- Buenos Aires
- Genre
- Progressive House
- Label
- Hope Recordings
- Loudness
- -19.8 dB
- Dynamics
- 14.7 dB
- ISRC
- GBDRF1100010
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Buenos Airesoriginal10A · 126
- Buenos Aires - Radio Editversion9A · 126
- Buenos Aires - Terry Lee Brown Jnr Mixoriginal1B · 124
- Buenos Aires - Nicolas Rada Remixremix10A · 122
- Buenos Aires - Applescal Remixremix6A · 116
- Buenos Aires - Deep in Palermo Mixoriginal6B · 127
Against the original (10A at 126 BPM), this version runs 2 BPM slower and moves the key from 10A to 10B.
Buenos Aires - Terry Lee Brown Jnr Dub is a club-tempo progressive house track in D major (10B) at 124 BPM. The feel is dark and steady. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). A 2011 production that still circulates in sets. Groovier than 99% of Nick Warren's catalogue. In a set it works best as a mid-set roller.
- Low end:
- more bass-heavy than 95% of Nick Warren's catalogue
- Energy:
- calmer than 94% of Nick Warren's catalogue
- Brightness:
- darker than 88% of Nick Warren's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 45%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 7%
- High
- 2.5-11 kHz
FAQ
What key is Buenos Aires - Terry Lee Brown Jnr Dub in?
Buenos Aires - Terry Lee Brown Jnr Dub by Nick Warren is in D major, or 10B on the Camelot wheel.
What BPM is Buenos Aires - Terry Lee Brown Jnr Dub?
Buenos Aires - Terry Lee Brown Jnr Dub runs at 124 BPM, a club-tempo track.
What mixes well with Buenos Aires - Terry Lee Brown Jnr Dub?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Buenos Aires - Terry Lee Brown Jnr Dub good for peak time?
With energy 47 out of 100 at 124 BPM, it works best as a mid-set roller.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 124 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More progressive house
More from Nick Warren
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
