Sprich
- Key
- 8B · C major
- BPM
- 124
- Open Key
- 1d
- Energy
- 47/100
- Pop
- 27/100
- Length
- 7:34
- Released
- 2014
- Genre
- Progressive House
- Loudness
- -13.4 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 124 BPM in C major (8B), Sprich is a club-tempo progressive house production. It reads as dark and steady. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2014 production that still circulates in sets. Calmer than 87% of Ben Böhmer's catalogue. In a set it works best as a mid-set roller.
- Brightness:
- darker than 85% of Ben Böhmer's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Sprich in?
Sprich by Ben Böhmer is in C major, or 8B on the Camelot wheel.
What BPM is Sprich?
Sprich runs at 124 BPM, a club-tempo track.
What mixes well with Sprich?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Sprich good for peak time?
With energy 47 out of 100 at 124 BPM, it works best as a mid-set roller.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 124 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More progressive house
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Full profile
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
