All in Good Time - DJ Version
30s preview
- BPM
- 126
- Open Key
- 8d
- Energy
- 92/100
- Pop
- 6/100
- Length
- 6:12
- Released
- 2024
- Album
- All in Good Time
- Genre
- Trance
- Loudness
- -5.6 dB
- Dynamics
- 10.9 dB
- ISRC
- DEL672400074
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- All in Good Time - Club Mixversion4A · 134
- All in Good Time - Taglo Extended Remixremix11A · 124
- All in Good Time - Club Radio Editversion4A · 134
- All in Good Timeoriginal3B · 126
- All in Good Time - Taglo Remixremix3B · 124
At 126 BPM in D♭ major (3B), All in Good Time - DJ Version is a club-tempo trance production. The feel is dark and driving. Its spectrum is weighted to the sub and kick, with a heavy low end. Darker than 82% of Kyau & Albert's catalogue. For programming, treat it as a peak-time weapon.
- Reach:
- better known than 82% of Kyau & Albert's catalogue
- Low end:
- more bass-heavy than 78% of Kyau & Albert's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is All in Good Time - DJ Version in?
All in Good Time - DJ Version by Kyau & Albert is in D♭ major, or 3B on the Camelot wheel.
What BPM is All in Good Time - DJ Version?
All in Good Time - DJ Version runs at 126 BPM, a club-tempo track.
What mixes well with All in Good Time - DJ Version?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is All in Good Time - DJ Version good for peak time?
With energy 92 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 126 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 92/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More trance
More from Kyau & Albert
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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